\version "2.24.4" \include "examples/bar9.ly" \include "examples/bar18.ly" \include "examples/bar60.ly" global = { \time 4/4 \key g \major } \bookpart { \paper { bottom-margin = 12 \mm print-page-number = ##t page-count = #1 % system-count = #8 #(set-paper-size "arch a") tagline = "" } \header { title = \markup \column { " " "New Methods and Examples" " " } } \tocItem \markup \bold \column { "New Methods and Examples" " " } \markup { \column { " " " " \fontsize #1 { " " " Eine kleine Nachtmusik is a staple of the Western Classical music repetoire. It is perhaps the most" " famous piece. In addition to its Classical beauty, it is a master piece of form. Its value in arrangement" " for other instruments, is in the opportunity for a broader audience to experience, in performance, the" " excellence of these forms." " " " In the historical absence of any good rules for Guitar fingering, I am developing a new system of" " rules that is simple, complete and rigourous. The system is inherently minimalist, and facilitates note" " reading instead of finger reading. You are welcome to criticize and participate in this development." " " \bold { " Left Hand Rules" } " " " i) The first bar, and every position change, requires a fingering that contains a" " string, finger and note" " ii) Finger all open strings with \"0\" " \line { iii) Notate harmonics at the perceived pitch, with a \raise #1.0 \musicglyph noteheads.s0harmonic for a notehead } " iv) Notate all unusual fingerings" " v) Add fingers as necessary if not clear, or for pedagogical reasons" " " \bold { " Right Hand Rules" } " " " i) Begin segments with alternating fingers with the first 1 or 2 fingers" " ii) Add fingers as necessay if not clear, or for pedagogical reasons" " " " Below are some examples from the Allegro. Solid slurs are phrasing slurs as in the original. " " Dotted slurs are Guitar slurs and are editorial. All trills and other ornaments have been written out" " and these examples can be used as a guide for other similar bars." " " } } } \score { \new GrandStaff \with { \override StaffGrouper.staff-staff-spacing = #'((basic-distance . 12) (minimum-distance . 8) (padding . 0)) } << \set GrandStaff.instrumentName = \markup { \override #'(font-family . "Sans") \abs-fontsize #10.0 \bold "Gtr1 " } \new Staff \with { \consists "Span_arpeggio_engraver" } << \global \barnine >> >> \layout { #(layout-set-staff-size 16) } } \markup \column { " Above, the only fingering neccessary are the ones that establish the position." " All notes and fingers are clear from the position. Fingering is needed only intitially, and for the" " shift in bar 10." " " } \score { \new GrandStaff \with { \override StaffGrouper.staff-staff-spacing = #'((basic-distance . 12) (minimum-distance . 8) (padding . 0)) } << \set GrandStaff.instrumentName = \markup { \override #'(font-family . "Sans") \abs-fontsize #10.0 \bold "Gtr1 " } \new Staff \with { \consists "Span_arpeggio_engraver" } << \global \bareighteen >> >> \layout { #(layout-set-staff-size 16) } } \markup \column { " Above, similarly, only 3 position changes are fingered. The \"0\" is neccessary to indicate an open string." " " " " } \score { \new GrandStaff \with { \override StaffGrouper.staff-staff-spacing = #'((basic-distance . 12) (minimum-distance . 8) (padding . 0)) } << \set GrandStaff.instrumentName = \markup { \override #'(font-family . "Sans") \abs-fontsize #10.0 \bold "Gtr1 " } \new Staff \with { \consists "Span_arpeggio_engraver" } << \global \barsixty >> >> \layout { #(layout-set-staff-size 16) } } }